|
1947
|
(early)
|
East
of Eden, directed
Thora Sugrue
|
|
|
|
|
|
|
|
The
Monkey’s Paw
(Jacobs) directed Nat Moss
|
|
|
|
|
|
|
Spring
|
Public
reading of The Importance of Being Earnest (Wilde) in the Music Room,
Staff Hotel, with Kay Bannerman, Nat Moss, Ferol Betts, John Stewart
|
|
|
|
|
|
|
Dec
|
You
Can’t Take It With You (Kaufman and Hart) dir.
|
|
|
|
|
|
1948
|
|
The
Importance of Being Earnest (Wilde) dir. Betty Leighton
|
|
|
|
|
|
|
|
Three One
Act Plays: The Dear Departed, The Bishop’s Candlesticks, and ?
|
|
|
|
|
|
1949
|
Spring
|
Blithe
Spirit (Coward) dir.
Peter Stewart
|
|
|
|
|
|
|
Fall
|
George
Washington Slept Here (Kaufman and Hart) dir. Nat Moss, ass. dir. Mae Carmichael
|
|
|
|
|
|
1950
|
Apr/May
|
The
Circle of Chalk
(Klabund, trans. James Laver) dir. Nat Moss and Trudy Goldschmitt. First
Festival entry. Best Actress Award to Norma Renault.
|
|
|
|
|
|
|
Oct.
|
Out of the Frying Pan
|
|
|
|
Magic in the Air
|
|
|
|
|
|
|
Nov.
|
A
Murder Has Been Arranged (Emlyn Williams) dir. Betty Leighton
|
|
|
|
|
|
|
Dec
|
Up and
Atom (Revue)
|
|
|
|
|
|
1951
|
Feb
|
Arms
and the Man
(Shaw) dir. Ivan (Dick) Fowler, taken to Pembroke, Renfrew and Grant Hall
(Kingston) for EODL Festival). Best Supporting Actress Norma Renault.
|
|
|
|
|
|
|
Apr.
|
Poison
Pen (Christie)
dir. Jim Baird.
|
|
|
|
|
|
|
Oct.
|
Course
given by Arthur Claire
|
|
|
|
|
|
|
Fall
|
Harvey (Mary Chase) dir. Nat Moss, taken
to Petawawa.
|
|
|
|
|
|
1952
|
Mar.
|
Arsenic
and Old Lace
(Kesselring) dir. Mae Carmichael, taken to Pembroke.
|
|
|
|
|
|
|
Fall
|
Two
Blind Mice folded
in rehearsal.
|
|
|
|
|
|
1953
|
April
|
See
How They Run
(Phillip King) dir. Mary Davies
|
|
|
|
|
|
|
May
|
Hop,
Skip and Jump
(Revue)
|
|
|
|
|
|
|
Sept
|
Michael
Meiklejohn’s Directors’ Course.
|
|
|
|
|
|
|
Nov.
|
Bell,
Book and Candle
(Van Druten) dir. Bill Prosser (first play to run 2 nights)
|
|
|
|
|
|
|
Dec
|
Fumed
Oak (Coward) dir.
Val Mackintosh (first play at Hill House at joint Choral and Drama party)
|
|
|
|
|
|
1954
|
Feb
|
Calliope (Revue)
|
|
|
|
|
|
|
Mar
|
Rise
and Shine (Elda
Cadogan) dir. Freda Laurence.
|
|
|
|
|
|
|
Apr.
|
Busman’s
Honeymoon
(Dorothy Sayers and M. St. Clare Byrne) dir. Val Mackintosh
|
|
|
|
|
|
|
Oct
|
First
visit of Canadian Players (St. Joan) sponsored by DRP.
|
|
|
|
|
|
|
Nov
|
Overlaid (Robertson Davies) dir. John
Stewart
|
|
|
|
|
|
|
Nov
|
Sunday
Costs Five Pesos (Niggli)
dir. Isabel Woolston. Taken to City of Ottawa Festival. Best Actress Lorna
Bourns
|
|
|
|
|
|
|
Dec
|
My
Three Angels (Sam
and Bella Spewack) dir. Val Mackintosh
|
|
|
|
|
|
1955
|
Feb
|
The
Other Half (Elda
Cadogan) dir. Freda Laurence
|
|
|
|
|
|
|
Feb
|
At My
Heart’s Core
(Davies) dir. Sheila Dyne
|
|
|
|
|
|
|
Mar
|
The
Fisherman
(original play by Neil Fairlie) dir. Val Mackintosh
|
|
|
|
|
|
|
Apr.
|
The
Male Animal
(James Thurber and Elliott Nugent) dir. John Cantelon.
|
|
|
|
|
|
|
May
|
The
Marriage Proposal
(Chekov) dir. Peter Dyne
|
|
|
|
|
|
|
Nov
|
Bonaventure (Charlotte Hastings) dir. Peter
Dyne
|
|
|
|
|
|
1956
|
Feb
|
The
Late Christopher Bean (Sidney Howard) dir. Bill Prosser
|
|
|
|
|
|
|
Mar
|
The
Invisible Worm
(E. Cadogan) dir. Freda Laurence
|
|
|
|
|
|
|
Apr
|
Sorry
Wrong Number
(Babette Hughes) dir. Val Mackintosh pith the Teen Theatre Course, run from
Jan to May)
|
|
|
|
|
|
|
May
|
Words
and Music (with
the Choral Group)
|
|
|
|
The
Fisherman (Neil
Pairlie) dir, Peter Dyne
|
|
|
|
A
Phoenix Too Frequent (Pry) dir. Sheila Dyne
|
|
|
|
|
|
|
May
|
Why I
am a Bachelor
(Conrad Seiller) dir Val Mackintosh (with the Teen Theatre Course)
|
|
|
|
|
|
|
Nov.
|
The
Chrysallis
(original play by Isabel Woolston) dir. Isabel Woolston.
|
|
|
|
|
|
|
Nov.
|
Night
Must Fall (Emlyn
Williams) dir. Mae Carmichael and Peter Dyne
|
|
|
|
|
|
1957
|
Feb
|
Two
Dozen Red Roses
(Aldo de Benedetti and Kenneth Horne) dir. Sheila Dyne
|
|
|
|
|
|
|
Mar
|
Hangs
Over Thy Head
dir. Freda Laurence
|
|
|
|
|
|
|
May
|
Words
and Music with
the Choral Group
|
|
|
|
|
|
|
|
|
|
|
May
|
Elizabeth
Refuses (Margaret
MacNamara, from Jane Austen) dir. Irene Siddall
|
|
|
|
|
|
|
Nov.
|
On
Dartmoor (Neil
Grant) dir. Tony Hitchman
|
|
|
|
|
|
1957
|
Nov
|
The
Holly and the Ivy
(Wynyarde Browne) dir. Val
Mackintosh. Taken to EODL Festival in Ottawa in Feb. Honorable Mention
to Gordon Brookes and Bill Prosser
|
|
|
|
|
|
|
Dec
|
Judy
Lawrence Puppet Show
|
|
|
|
|
|
|
Dec
|
The
Drums of Oude dir
Sheila Dyne
|
|
|
|
|
|
1958
|
Feb
|
The
Shop at Sly Corner
(Edward Percy) dir Dorothy Grummitt
|
|
|
|
|
|
|
Apr
|
Jackpot
(Revue) dir.
Lorna Bourns
|
|
|
|
|
|
|
Apr
|
Rouge
Atomigue (Richard
Nash) first play in the round. Dir. Dick Attree. Taken to Pembroke.
|
|
|
|
|
|
|
May
|
Joint
Owners in Spain
(Alice Brown) dir. Isabel Woolston
|
|
|
|
|
|
|
Oct
|
Portrait
of a Gentleman in Slippers (A.A.Milne) dir. Mort Bercovitch
|
|
|
|
|
|
|
Nov.
|
The
Heiress (Ruth and
Augustus Goetz from Henry James) dir. Peter Dyne.
|
|
|
|
|
|
|
Dec.
|
The
Clown Who Ran Away
dir. Nancy Bercovitch. First children’s play.
|
|
|
|
|
|
1959
|
Feb
|
The
Laboratory (David
Compton) dir. D. Grummitt. Winner at Smith Falls Festival in Mar.
|
|
|
|
|
|
|
Mar
|
Dear
Delinquent (J.
Popplewell) dir. Tony Hitchman
|
|
|
|
|
|
|
Apr
|
The
Shrew
(Shakespeare, adapted Isabel Woolston) dir. Isabel Woolston.
|
|
|
|
|
|
|
May
|
Child
Drama Course given by Brian Way in Sudbury
|
|
|
|
|
|
|
May
|
Trifles (Susan Glaspell) dir. Val
Mackintosh
|
|
|
|
|
|
|
Fall
|
The
Shrew taken to a
workshop in Kingston.
|
|
|
|
|
|
|
Oct
|
Hands
Across the Sea
(Coward) dir. Freda Laurence
|
|
|
|
|
|
|
Nov
|
The
Man Who Came To Dinner (Kaufman and Hart) dir. Mae Carmichael
|
|
|
|
|
|
|
Dec
|
Entertainment
for children
|
|
|
|
|
|
1960
|
Jan/Feb
|
East
Lynne (a
condensed version of John Oxenford’s melodrama, from Mrs. Henry Woods) dir.
Sheila Dyne
|
|
|
|
|
|
|
Feb
|
Separate
Table (Rattigan)
dir. D. Grummitt and Michael Meiklejohn. Festival entry. Best supporting
actress Val Mackintosh
|
|
|
|
|
|
|
Apr
|
Aria
da Capa (Edna St.
Vincent Millay) dir. Tony Hitchman
|
|
|
|
|
|
|
May
|
The Twelve
Pound Look
(Barrie) dir. May Robertson
|
|
|
|
How He
Lied To Her Husband
(Shaw) dir. John Walley
|
|
|
|
|
|
|
Sept
|
Course
|
|
|
|
|
|
|
Oct
|
Hello
Out There
(Saroyan) dir Nancy Bercovitch
|
|
|
|
|
|
|
Nov
|
Clerembard (Marcel Ayme) dir. John Walley
|
|
|
|
|
|
|
Dec
|
The
Dragon Who Giggled
(Elizabeth McCormick) dir. Nancy Bercovitch
|
|
|
|
|
|
1961
|
Jan
|
Sweet
Sounds, with the
Choral Group.
|
|
|
|
Reading
of The Dark Lady of the Sonnets (Shaw) dir. Isabel Woolston
|
|
|
|
|
|
|
Feb
|
Overruled (Shaw), dir. Peter Dyne.
|
|
|
|
|
|
|
Mar
|
The
Skin of our Teeth
(Thornton Wilder), dir. Sheila Dyne
|
|
|
|
|
|
|
May
|
The
Curious Savage
(Patrick) dir. Freda Laurence
|
|
|
|
|
|
|
May
|
Electra (Sophocles) dir. Val Mackintosh.
Entry in first EODL One-Act Festival. Best Supporting Actor Mort Bercovitch
|
|
|
|
|
|
|
Aug
|
Revue for
Yacht Club dir. Sylvia Harmon
|
|
|
|
|
|
|
Nov
|
The
Anniversary
(Chekov), dir. Pat Moore
|
|
|
|
|
|
|
Nov
|
Someone
Waiting (Emlyn
Williams) dir. Val Mackintosh
|
|
|
|
|
|
|
Dec
|
The
Magic Wheel
(original play by Isabel Woolston) dir. Freda Laurence
|
|
|
|
|
|
|
Xmas
|
CHOV
Nativity play
|
|
|
|
|
|
1962
|
Feb
|
The
Door (original
play by Neil Fairlie) dir. John Walley
|
|
|
|
|
|
|
May
|
The
Door (Fairlie)
dir. Peter Dyne. Entered in EODL One-Act at Deep River.
|
|
|
|
|
|
|
May
|
Major
Barbara (Shaw)
dir. Pat Moore
|
|
|
|
|
|
|
June
|
Two
Gentlemen of Soho
(A.P. Herbert) dir. Sheila Dyne
|
|
|
|
|
|
|
Summer
|
Junior
course run by Nancy Bercovitch, Senior by Pat Moore.
|
|
|
|
|
|
|
Oct
|
No
Exit (Sartre)
dir. Tony Hitchman
|
|
|
|
|
|
|
Nov
|
You
Can’t Take It With You (Kaufman and Hart) dir. Mae Carmichael
|
|
|
|
|
|
|
Dec
|
Life
of Hercules, Page
One (Thomas Cruden) dir Freda Laurence.
|
|
|
|
|
|
|
Dec
|
The
Emperor’s New Clothes (Charlotte Chorpenning) dir. Nancy Bercovitch
|
|
|
|
|
|
1963
|
Feb
|
The
Dock Brief (John
Mortimer) dir. Val Mackintosh. To EODL Festival at Smith Falls. Runner-up to
Best Play, Bill Beale Best Actor, with Mort Bercovitch as Runner-up. To
Central Ontario Showcase Festival in May
|
|
|
|
|
|
|
Feb
|
The
Summer of the Seventeenth Doll (Ray Lawler) dir. Pat Moore. To EODL Festival.
|
|
|
|
|
|
|
June
|
Box
and Cox dir. John
Walley
|
|
|
|
|
|
|
Summer
|
Junior
Workshop, Nancy Bercovitch
|
|
|
|
Esme Crampton
Workshop
|
|
|
|
|
|
|
Nov
|
A
Resounding Tinkle
(N.F. Simpson) dir Sheila Wikhammer
|
|
|
|
|
|
|
Nov
|
The
Madwoman of Chaillot (Giraudoux) dir. Val Mackintosh
|
|
|
|
|
|
1964
|
Feb
|
The
Red Velvet Goat
(Niggli) dir. Isabel Woolston
|
|
|
|
|
|
|
Mar
|
Pajama
Game dir. John
Walley
|
|
|
|
|
|
|
May
|
A Man
of Destiny (Shaw)
dir. Ray Cohen
|
|
|
|
|
|
|
May
|
Still
Life (Coward)
dir, Tony Hitchman
|
|
|
|
|
|
|
Nov
|
Crawling
Arnold (Jules
Feiffer) dir. Sheila. Wikhammer
|
|
|
|
|
|
|
Dec
|
The
Remarkable Mr.
Pennypacker (Liam O’Brien) dir. Freda
|
|
|
|
Laurence
|
|
|
|
|
|
1965
|
Feb
|
A
Village Wooing
(Shaw) Dir. Sheila Dyne
|
|
|
|
|
|
|
Apr
|
Riders
to the Sea
(Synge) dir Ian Oldaker
|
|
|
|
|
|
|
May
|
The
Sandbox (Albee)
dir. Nancy Bercovitch
|
|
|
|
|
|
|
Sept
|
Workshop
by Richard Howard
|
|
|
|
|
|
|
Oct
|
The
Lunch Hour
(Mortimer) dir. Nancy Bercovitch
|
|
|
|
|
|
|
Dec
|
The Unexpected
Guest (Christie)
dir. Val Mackintosh and Jeff Scoberg
|
|
|
|
|
|
1966
|
Feb
|
The
Tricoloured Suite
(Peter S. Peterson) dir. Freda Laurence.
|
|
|
|
|
|
|
Mar
|
Gallows
Humor (Jack
Richardson) dir. Val Mackintosh
Entry in
EODL Festival
|
|
|
|
|
|
|
Apr
|
Paul
Thompson Forever
(Mordecai Gorelik) dir Jeff Scoberg
|
|
|
|
|
|
|
May
|
Hecuba (Euripedes) dir. Isabel Woolston
|
|
|
|
|
|
|
Dec
|
The
Absence of A Cello
(Ira Wallach) dir. Nancy Bercovitch
First
full-length play done in Hill House.
|
|
|
|
|
|
1967
|
Feb
|
A
Castle in the Village (Verna Woskosf) dir. Freda Laurence
|
|
|
|
|
|
|
Mar
|
The
Drunkard
(W.H.Smith, adapted I. Woolston) dir. Isabel Woolston
|
|
|
|
|
|
|
May
|
The
Private Ear
(Shaffer) dir. Barry Bielby
|
|
|
|
|
|
|
Oct
|
The
Public Eye
(Shaffer) dir. Val Mackintosh
|
|
|
|
|
|
|
Nov
|
The
Tiger (Murray
Schaffer) dir. Val Mackintosh. To EODL Festival at Lindsay. Charlotte
McWilliam Runner-up to Best Actress.
|
|
|
|
|
|
|
Dec
|
Mary,
Mary (Jean Kerr)
dir. Barry Bielby
|
|
|
|
|
|
|
Dec
|
Snowwhite
Turned Blue (New
Year’s Eve entertainment)
|
|
|
|
|
|
1968
|
Feb
|
Harrop’s Music Hall
|
|
|
|
|
|
|
Mar
|
The Courting
of Marie Jenvrin (Ringwood)
dir. Freda Laurence
|
|
|
|
|
|
|
Apr
|
The
Questioning of Nick
(Koppit) dir. Bill Beale
|
|
|
|
The
Ascent of Everest
(Koppit) dir. Val Mackintosh
|
|
|
|
|
|
|
Oct
|
Acting
Course given by Phyllis Living
|
|
|
|
|
|
|
Oct
|
Here
We Are (Parker)
dir. Barry Bielby
|
|
|
|
Pinter
Sketches dir Jim
Harrop
|
|
|
|
The
Street of Good Friends dir. Tony Tyler
|
|
|
|
|
|
|
Nov
|
The
Apollo of Bellac
(Giraudoux) dir Freda Laurence
|
|
|
|
|
|
|
Dec
|
Do You
Come Here Often?
(Original musical by Mike Carver, Don McPherson, Dave Thomson) dir. Dave
Thomson and Eric Le Surf, Mus. Dir. Don McPherson.
|
|
|
|
|
|
1969
|
Feb
|
Cupid
is a Bum, is a Bum
dir. Neil Smith
|
|
|
|
|
|
|
Apr
|
The
Lottery (Brainerd
Duffield from Shirley Jackson) dir. Charlotte McWilliam
|
|
|
|
|
|
|
May
|
The
Odd Couple
(Simon) dir. Barry Bielby
|
|
|
|
|
|
|
Oct
|
The
Bald Soprano
(Ionescu) dir. Val Mackintosh. To EODL Festival at Peterborough. Best Play;
Mae Carmichael Best Actress; Bill Beale Runnerup to Best Actor; May Robertson
Runner-up to Best Supporting Actress; Roy Malone Runner-up to Best Supporting
Actor; Marion McPherson Runner-up to Best Visual; Val Mackintosh Runner-Up to
Best Director.
|
|
|
|
|
|
|
Dec
|
Barefoot
in the Park
(Simon) dir. Neil Smith
|
|
|
|
|
|
1970
|
Jan
|
Peter
Cochrane Acting Course
|
|
|
|
|
|
|
Mar
|
Squat
Betty (Mortimer)
dir. Pat Griffiths
|
|
|
|
|
|
|
Mar
|
Angel
Street (Patrick
Hamilton) dir Bill Beale
|
|
|
|
|
|
|
May
|
Collect
Your Handbaggage
(Mortimer) dir. Freda Laurence
|
|
|
|
|
|
|
Nov
|
Hands
Across the Sea
(Coward) dir. Freda Laurence
|
|
|
|
|
|
|
Dec
|
The
Tunnel of Love
(Joseph Fields and Peter Do Vries) dir. Val Mackintosh
|
|
|
|
|
|
1971
|
Feb
|
Ad Lib (Revue)
|
|
|
Mar
|
Hobson’s
Choice (Harold
Brighouse) dir. Jim Harrop
|
|
|
|
|
|
|
Mar
|
The
Boor (Chekov)
dir. May Robertson
|
|
|
|
|
|
1971
|
May
|
Androcles
and the Lion
(Shaw) dir. Isabel Woolston
|
|
|
|
|
|
|
Oct
|
I Spy (Mortimer) dir. Val Mackintosh.
EODL Festival in Nov. Lorna Bourns Best Actress.
|
|
|
|
|
|
|
Nov
|
An Evening with Needham
|
|
|
|
|
|
|
Dec
|
Dinner,
Pub and Dance. Pinter Sketches, dir. Jim Harrop
|
|
|
|
|
|
1972
|
Jan
|
The
Complaisant Lover
(Graham Greene) dir. Pat Griffiths
|
|
|
|
|
|
|
Feb
|
In
Confidence (Peter
Coke) dir. Freda Laurence
|
|
|
|
|
|
|
Mar
|
Hello
Dolly joint DRP
and Choral Group. Dir. Barry Bielby
|
|
|
|
|
|
|
Apr.
|
The
Crucible (Miller)
dir. Geffrey Saville-Read (professional)
|
|
|
|
|
|
|
Nov
|
The
Love Mouse
(Sheldon Rosen) dir Chris Ward. Taken to non-competitive Festival at Lakefield.
|
|
|
|
|
|
|
Dec
|
Plaza
Suite (Simon)
dirs. Barry Bielby and Pat Griffiths
|
|
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|
|
|
1973
|
Feb
|
Erpingham
Camp (Orton) dir.
Ian Mitchell and Phyllis Mitchell
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|
|
|
|
Mar
|
The
Entertainer
(Osborne) dir. Neil Smith. To EODL Festival Kingston. Adjudicator’s award to
the orchestra.
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Apr
|
Lysistrata (Aristophanes) dir. David Mosey
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Aug
|
Antigone (Sophocles) dir. Ron Davies
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Sept
|
Poetry
Reading arranged by David Mosey
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|
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|
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Oct
|
Trevor (John Bowen) dir. Chris Ward
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|
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Dec
|
The
School for Scandal
(Sheridan) dir Daniel Walsh (Pro)
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|
|
1974
|
Feb
|
Krapps
Last Tape
(Beckett) dir. Val Mackintosh
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Mar
|
White
Liars (Shaffer.)
dir. John Edgecombe
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May
|
The
Music Man
(Meredith Wilson) combined with Choral Group, dir. Niel Poulsen
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|
|
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|
May
|
A
Resounding Tinkle
(N.F,Simpson) dir. Chris Ward, taken to Workshop Festival at Lindsay, where 4
groups presented the same play
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Sept
|
Sorry
Wrong Number
(Babette Hughes) dir. Niel Poulsen
|
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|
Oct
|
Marble
Arch (John
Mortimer) dir. Maureen Bindner
|
|
|
|
Mill
Hill (John Mortimer)
dir. Audrey Dawson, to non—competitive Festival at Kingston.
|
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|
|
|
|
Dec
|
The
Mousetrap
(Christie) dir. Pat Griffiths.
|
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1975
|
Feb
|
The
Browning Version
(Rattigan) dir. May Robertson
|
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Mar
|
The
Killing of Sister George dir. Neil Smith
|
|
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|
|
|
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May
|
Pygmalian (Shaw) dir. Val Mackintosh
|
|
|
|
|
|
|
Dec
|
Fiddler
on the Roof
(Joseph Stein) joint Choral GrouD, Drama Club and I.M.A. production. Dir.
Neil Smith, Mus. Dir, Doug Salmon, Orchestra Conductor Jim Wegg.
|
|
|
|
|
|
1976
|
Feb
|
The
Real Inspector Hound (Stoppard) dir. Ian Mitchell
|
|
|
|
|
|
|
Mar
|
The
Enchanted
(Giraudoux) dir. Frank Morris (Pro.) Entry in EODL Three-Act Festival, Niel
Poulsen and Anne Seck Best Visual; Peterborough Award for the Best Use of
Speech to whole production.
|
|
|
|
|
|
|
Sept
|
Chris
Ward directing course
|
|
|
|
|
|
|
Oct
|
After
Magritte
(Stoppard) dir. Ian Mitchell
|
|
|
|
Rouge
Atomigue (Kash)
dir. Val Mackintosh. Taken to EODL One-Act Fetival at Belleville. Hon. Men.
to Rita O’Byrne and Audrey Dawson.
|
|
|
|
|
|
|
Dec
|
Come
Into the Garden,
Maud (Coward) dir. Freda Laurence Was She Sown or Was She Reaped
(J.Kilpatrick) dir. Neil Smith
|
|
|
|
|
|
1977
|
Feb
|
Mr. Foot
|
|
|
|
Chinamen (Michael Frayne) dir Chris Ward
|
|
|
|
|
|
|
Mar
|
The
Importance of Being Earnest (Wilde) dir. Niel Poulsen
|
|
|
Dec
|
The
Gingerbread Lady
(Simon) dir. Pat Griffiths
|
|
|
|
|
|
1978
|
Feb
|
Boeing
Boeing (Marc
Carmoletti, dir. Maureen Bindner
|
|
|
|
|
|
|
May
|
Ladies
in Retirement
(Percy and Denham) dir. Isabel Woolston
|
|
|
|
|
|
|
May
|
Acting
Course, Peter
Cochrane
|
|
|
|
|
|
|
Oct
|
Gladly
Otherwise (N.F.
Simpson) dir. Pat Burn
|
|
|
|
|
|
|
Nov
|
Move
Over Mrs. Markham
(Cooney and Chapman) dir. Val Mackintosh
|
|
|
|
|
|
1979
|
Mar
|
Prisoner
of Second Avenue
(Neil Simon), dir. Pat Burn
|
|
|
|
|
|
|
May
|
The
Hollow Crown
(John Barton), dir. Chris Ward
|
|
|
|
|
|
|
May
|
Mr.
Flannery’s Ocean,
dir. Isabel Woolston
|
|
|
|
Three
short skits, dir. Kathleen Leavens
|
|
|
|
|
|
|
Oct
|
The
Trumpet, dir.
Catherine Caesar
|
|
|
|
|
|
|
Nov
|
Count
Dracula (Ted
Tiller), dir. Chris Ward
|
|
|
|
|
|
1980
|
early
|
Pub Night
|
|
|
|
|
|
|
Mar
|
And
Miss Reardon Drinks a Little (Paul Zindel), dir. Neil Smith
|
|
|
|
|
|
|
Nov
|
Black
Comedy (Peter
Shaffer), dir. Bill Beale and Christine Ward
|
|
|
|
|
|
1981
|
Nov
|
Oliver! (Lionel Bart, from Dickens), dir.
Neil Smith
|
|
|
|
|
|
1982
|
Oct
|
The
Twin Sinks of Allan Sammy (Norman Holland), dir. Kim Williams
|
|
|
|
A Day
of Reckoning (Cam
Hubert), dir. Audrey Dawson and Chris Ward
|
|
|
|
(Two
one-act plays in cooperation with Mackenzie H.S. Theatre Arts Co.)
|
|
|
|
|
|
|
Nov
|
Sinbad
and the Mermaid
(Chris Wiggins”, dir. Debbie Denault and Helen Griffiths (Deep River Junior
Players’ first show)
|
|
|
|
|
|
1983
|
Jan
|
Pub Night
|
|
|
|
|
|
|
Apr
|
The
Elephant Man
(Bernard Pomerance), dir. Neil Smith & Nancy Winnegar
|
|
|
|
|
|
|
Oct
|
Trifles (Susan Glaspell), dir. Charlotte
McWilliam, hosting the Eastern Ontario Drama League One Act Festival 1983.
|
|
|
|
|
|
|
Dec
|
Habeas
Corpus (Alan
Bennett), dir. Greg Miller
|
|
|
|
|
|
1984
|
Mar
|
A
Doll’s House
(Ibsen), dir. Christine Ward
|
|
|
|
|
|
|
Nov
|
The
Pushcart Peddlars
(Murray Shisgal), dir. Gerg Miller
|
|
|
|
|
|
1985
|
Mar
|
Murder
at the Howard Johnsons (Ron Clark and Sam Bobrick), dir. Ron Davis
|
|
|
|
|
|
|
Nov
|
See
How They Run
(Philip King), dir. Maureen Bindner
|
|
|
|
|
|
|
Dec
|
Let’s Hear it for Christmas!
|
|
|
|
|
|
1986
|
Dec
|
Walter (Murray Schisgal), dir. Anne
Seddon
|
